The New Yorker recently wrote of Percival Everett that he “has one of the best poker faces in contemporary American literature. The author of twenty-two novels, he excels at the unblinking execution of extraordinary conceits.” Since that article was published Everett has published another novel, Dr. No, which like so many of Everett’s novels could likely only have been conceived in a universe where Percival Everett writes novels. Dr. No follows closely on Booker Prize finalist The Trees, which revisits the story of Emmett Till and the history of lynching in America. Everett is a professor at the University of Southern California and lives in Los Angeles.  

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Blue Tomorrows brings together three artists whose work represents new ecologies at the intersections of writing and image-making. Through personal, political, and philosophical engagement attuned to the impermanent, the indeterminate, and the transcendent qualities of material practice, Corina Copp, Rebekah Weikel, and Missouri Williams each take distinct approaches to feminist world-making. The School of Critical Studies is honored to host a discussion of their work in poetry, criticism, cinema, and fiction.

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Aisha was born and raised in Los Angeles. She earned a BA in English from Carleton College, an MA in Cultural Studies and Studio Art from the Gallatin School of Individualized Study at NYU, and an MFA in Creative Nonfiction from the University of Arizona. She is the author of The Fluency of Light, Dreaming of Ramadi in Detroit, Borealis, and Captioning the Archives. She is an assistant professor of English at the University of Michigan.

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